Color is the last step before delivery, so it's where visions get lost in endless notes and schedules fall apart. I nail your look early and hit your deadline, for commercials, films and music videos.
Your editor is already stretched. Color becomes the thing that gets squeezed right before delivery and it shows on screen.
Slow replies, a look that drifts from the treatment and rounds of notes that never land.
Without a proper grade, strong cinematography reads as ordinary and your audience feels it.
I only do color, so your film or campaign gets the focused, high end finish it deserves and a grade that raises the production value of every frame.
Tell me about your projectEvery grade is custom to your footage and your brief. No preset looks, no shortcuts.
Broadcast and online spots where every frame carries the brand.
Campaign films, product launches and social cutdowns with one consistent look.
Bold, stylized looks that match the artist and stand out on the feed.
Features, shorts and documentaries graded to support the story and the director's intent.
Tell me about the project, the timeline and any references. You'll hear back fast with a quote.
Share your timeline and media. I handle the conform and set up the grade in DaVinci Resolve.
Get the first pass, leave notes or join a live session and make calls in real time.
Final masters in the formats you need, ready to hand to your client.

I've spent the last decade grading commercial work. When you book Softtoast, you work with me directly. No account managers, no handing your project off to a junior.
You get a grade you're excited to show your client, replies when you need them and a delivery date you can count on.
Work with meWe keep going until you love it.
Built around your delivery date.
You talk to the colorist, always.
Straight hourly pricing you can plan around.
Something else on your mind? Ask it in the quote form and I'll answer personally.
I charge hourly with no hidden fees. Once I know the length, the footage and the deliverables, I'll give you a clear estimate before anything starts.
It depends on length and complexity, but quick turnarounds are a big part of how I work. Tell me your delivery date and I'll tell you honestly if I can hit it.
Your locked edit, a timeline export from your editing software and the original camera media. Send any references, a treatment or a lookbook too so I know the look you're after.
Yes. All projects are handled remotely, with review links and live sessions so you can see the grade as it happens.
Yes. I grade features, shorts and documentaries as well as commercial work. Tell me the runtime and your delivery specs and I'll scope it out for you.
Revisions are unlimited. We keep refining until you're happy with it.
Completely. There's no obligation. It's just a quick conversation to see if we're a good fit.
Fill this out and I'll get back to you personally with a quote. No obligation, just a quick conversation to see if we're a good fit.
Your project details are in my inbox. I'll be in touch soon with next steps and a quote.
Everything I share lives here. Tools, free downloads and one on one help with your own grading.
The DCTLs I built and use on real commercial grades in DaVinci Resolve.
Join for the free color grading course and learn alongside others in the community.
LUTs, PowerGrades, my Stream Deck profile and more, all free.
An hour together on your grades, your workflow or your color business.